DEFINITION

download.php?file=2773607&embedded=1&textbox=2773157

INDUSTRIALISED BUILDING - Feal-Varlonga

download.php?file=2763943&embedded=1&textbox=2763949

INDUSTRIALISED BUILDING 2// Diamant

download.php?file=2763779&embedded=1&textbox=2763783

INDUSTRIALISED BUILDING// Diamant

download.php?file=2763762&embedded=1&textbox=2763765

INDUSTRIALISED BUILDING - Spiral

download.php?file=2763830&embedded=1&textbox=2763844

INDUSTRIALISED BUILDING - Lowton-Cubitt

download.php?file=2763956&embedded=1&textbox=2763962

INDUSTRIALISED BUILDING - Porte des Lilas

download.php?file=2763933&embedded=1&textbox=2763941

INDUSTRIALISED BUILDING - Calverley

download.php?file=2763989&embedded=1&textbox=2763991

INDUSTRIALISED BUILDING 4// Diamant

download.php?file=2764003&embedded=1&textbox=2764012

INDUSTRIALISED BUILDING - Modus

download.php?file=2764014&embedded=1&textbox=2764015

INDUSTRIALISED BUILDING - Speculative Houses

download.php?file=2763909&embedded=1&textbox=2763910

INDUSTRIALISED BUILDING - Laing Building Systems

download.php?file=2763993&embedded=1&textbox=2763995

INDUSTRIALISED BUILDING - Tracoba 4

download.php?file=2763966&embedded=1&textbox=2763975

From conception to demolition, St. Louis Missouri (1954-1972)

PRIMARY RESEARCH // Tottenham Court Road

download.php?file=2756996&embedded=1&textbox=2756997

PRIMARY RESEARCH // Brick Lane

download.php?file=2756990&embedded=1&textbox=2756994

 

Construction and Demolition Waste:

Construction and demolition waste (CDW) is one of the heaviest and most voluminous waste streams generated in the EU. It accounts for approximately 25% - 30% of all waste generated in the EU and consists of numerous materials, including concrete, bricks, gypsum, wood, glass, metals, plastic, solvents, asbestos and excavated soil, many of which can be recycled.

CDW arises from activities such as the construction of buildings and civil infrastructure, total or partial demolition of buildings and civil infrastructure, road planning and maintenance. Different definitions are applied throughout the EU, which makes cross-country comparisons cumbersome. In some countries even materials from land levelling are regarded as construction and demolition waste. CDW has been identified as a priority waste stream by the European Union. There is a high potential for recycling and re-use of CDW, since some of its components have a high resource value. In particular, there is a re-use market for aggregates derived from CDW waste in roads, drainage and other construction projects. Technology for the separation and recovery of construction and demolition waste is well established, readily accessible and in general inexpensive.

http://ec.europa.eu/environment/waste/construction_demolition.htm

 

"Overview of Demolition Waste in the UK" :

Total construction and demolition waste for England was estimated at 89.6 million tonnes in 2005. 46 million tonnes were recycled and a further 15 million tonnes were spread on exempt sites (usually land reclamation, agricultural improvement or infrastructure projects). The remaining 28 million tonnes were sent to landfill (including backfilling at quarries, and landfill engineering) as waste. The waste arisings only account for aggregate wastes and excludes other non-aggregate waste streams such as timber, plasterboard, insulation and plastics.

How to better manage demolition arisings:

Unlike construction waste, it is not possible to minimise the quantity of demolition arisings. Minimising the quantity of demolition arising entering the landfill and finding higher grade applications via reuse and recycling activities contributes towards the better management of demolition waste. 

- Recyling: Concrete is readily separable at demolition sites, easily recycled, with good quality assurance. Very often the problem with recycling demolition arising is that the crushed materials are down-cycled. 

http://www.wrap.org.uk/sites/files/wrap/CRWP-Demolition-Report-2009.pdf

 

ANGEL MARCOS (China, 2007)

download.php?file=2775698&embedded=1&textbox=2775735

 

 

 

 

DEFINTION 

download.php?file=2784273&embedded=1&textbox=2784275

The process of buildings being build in the present was also being re-built in the past - this constant cycle of demolition and construction. My plan is to interpret the words "demolition" therefore, I begin to research the meanings of "demolition"' which I came across to "compression". I will research artists that experiment with compression as my next step for development. 

 

 

 

César Baldaccini

French sculptor who was at the forefront of the New Realism movement with his radical compressions (compacted automobiles, discarded metal, or rubbish). He became known for his solid, welded sculptures of creatures and compressions of old vehicles and other junk material into tight packages. He utilised the most economical of materials for sculptures, and he reworked common objects and recycled urban detritus in order to challenge the values of mass production. Because of his creations it were often interpreted as critiques of consumerism. 

download.php?file=2770466&embedded=1&textbox=2764587

COMPRESSED PLASTIC (1990)

download.php?file=2770469&embedded=1&textbox=2770471

 

COMPRESSED HONDA

download.php?file=2770477&embedded=1&textbox=2770479

EDWARD BURTYNSKY (China Recycling, 2005) -

download.php?file=2770484&embedded=1&textbox=2770489

Credit: Photo-wisdom (Lewis Blackwell) 

HATJE CANTZ (Reading the City), Street Level 4

download.php?file=2770533&embedded=1&textbox=2770534

HATJE CANTZ (Reading the City), Cover

download.php?file=2770524&embedded=1&textbox=2770525

HATJE CANTZ (Reading the City), Street Level 2

download.php?file=2770527&embedded=1&textbox=2770528

 

DIRK SKREBER, Untitled (Crash 1) 2009 [Red Mitsubishi Eclipse Spider]

download.php?file=2775317&embedded=1&textbox=2775414

 

 

 

 

 

 

 

 

 

 

TADASHI KAWAMATA

Tadashi Kawamata is an artist who works in the midst of demolition and construction. These projects have taken place all over the world and range from intimate transformations of a single house or apartment to the whole scale reconfiguration of towns. Usually using scrap or reclaimed materials, mostly wood; Kawamata sets about building new and unusual structures by engaging with ideas of home, shelter, and social contexts. He creates installations in both public and private spaces. Kawamata's aim is to turn these environments inside out, and present the viewers with a completely fresh view of their surroundings, whether it's from a walkway built three metres above the town square or by a room transformed with a suspended ceiling of reclaimed doors. These projects make us question our environment, the way it is constructed and how we interact with it.

Kawamata is one of the artists that inspired me, as his works is based in the midst of demolition and construction which is similar to my project. I was inspired by how he sets an existing building into new and unusual structures by turning these environments "inside out". My intention is to have more knowledge of my concept and to find artists that could influence me creating new experimentation. 

download.php?file=2770572&embedded=1&textbox=2770552

Tadashi Kawamata, CHAIRS

download.php?file=2770570&embedded=1&textbox=2770571

"THE GATHERING" - Robert and Shana ParkeHarrison

download.php?file=2770541&embedded=1&textbox=2770543

JOHN CHAMBERLAIN, Sprayed Myopia

download.php?file=2775822&embedded=1&textbox=2775828

JOHN CHAMBERLAIN, DOGEYEMATADOR (2010)

download.php?file=2775810&embedded=1&textbox=2775816

DENNIS OPPENHEIM, Compression (Poison Oak, 1970)

download.php?file=2776021&embedded=1&textbox=2776022

CHRISTOPH BUCHEL, Dump

download.php?file=2814925&embedded=1&textbox=2814927

 

DEMOLITION SITE // Aftermath, JOEL MEYEROWITZ

IMG_5215.JPG.1

DEMOLITION SITE 3// Aftermath, JOEL MEYEROWITZ

IMG_5223.JPG

DEMOLITION SITE 5 // Aftermath, JOEL MEYEROWITZ

IMG_5229.JPG

DEMOLITION SITE 7 // Aftermath, JOEL MEYEROWITZ

IMG_5231.JPG

DEMOLITION SITE 9// Aftermath, JOEL MEYEROWITZ

IMG_5220.JPG

download.php?file=2840092&embedded=1&textbox=2840112

Anniken Amundsen 

download.php?file=2840095&embedded=1&textbox=2840112

download.php?file=2840109&embedded=1&textbox=2840112

(Credit: Textile Persepectives in Mixed-Media Sculpture)

 

Viktor & Rolf, Haute Couture / Fall (2016)

download.php?file=2840126&embedded=1&texdownload.php?file=2840135&embedded=1&tex

 

Exploring the Use of Plastics

download.php?file=2840150&embedded=1&textbox=2840157

download.php?file=2840153&embedded=1&textbox=2840157

COMPRESSED CAN (Primary Research)

GARMENT RESEARCH

57d46f4bd8b2777b0f632945180cc01d.jpg

GARMENT RESEARCH

IMG_5219.JPG

GARMENT RESEARCH // VEST

482d4883b8b4b9f5a93921fdaf6ea684.jpg a4d920a5858780a06f387e8db0e7346e.jpg

Toile (Vest) for my Final Outcome

toile.jpg

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PRIMARY RESEARCH // Liverpool Street Station

download.php?file=2764047&embedded=1&textbox=2764058

download.php?file=2764054&embedded=1&textbox=2764058

INDUSTRIALISED BUILDING - Jackblock 2

download.php?file=2763849&embedded=1&textbox=2763854

INDUSTRIALISED BUILDING - Jackblock

download.php?file=2763773&embedded=1&textbox=2763776

INDUSTRIALISED BUILDING - G80

download.php?file=2763817&embedded=1&textbox=2763822

INDUSTRIALISED BUILDING 3// Diamant

download.php?file=2763894&embedded=1&textbox=2763897

INDUSTRIALISED BUILDING - Barets

download.php?file=2763868&embedded=1&textbox=2763875

INDUSTRIALISED BUILDING - Catenary Construction

download.php?file=2763903&embedded=1&textbox=2763906

INDUSTRIALISED BUILDING - Lens-Seibert

download.php?file=2763913&embedded=1&textbox=2763917

INDUSTRIALISED BUILDING - Peacemaker

download.php?file=2763920&embedded=1&textbox=2763929

INDUSTRIALISED BUILDING - Italsider

download.php?file=2763952&embedded=1&textbox=2763953

INDUSTRIALISED BUILDING - Estiot

download.php?file=2763880&embedded=1&textbox=2763892

INDUSTRIALISED BUILDING - Dynacore

download.php?file=2764017&embedded=1&textbox=2764018

INDUSTRIALISED BUILDING - Worker

download.php?file=2764023&embedded=1&textbox=2764027

INDUSTRIALISED BUILDING 4// Diamant

download.php?file=2763980&embedded=1&textbox=2763987

INDUSTRIALISED BUILDING - Ohlosson & Skame

download.php?file=2763997&embedded=1&textbox=2764000

 

 

 

 

 

"Construction is turning London into a city of holes" :

"In London, most urban construction today is perceived as a nuisance rather than a sign of progress, greeted not with nostalgia for the old but frustration in the moment: a closed Tube station, a road diversion, a racket. As the capital grows, it goes through waves of rebuilding, each purporting to address a dominant issue." - As capital grows therefore, more building are being build or re-built. At the same time there's frustration within the public. 

"In London’s last great rebuilding, in the mid-20th century, many mistakes were made — urbanism delegated mainly to traffic planners, terraces needlessly demolished, poor quality social housing, grim commercial canyons. But there was also an idea that the city was being rebuilt for the benefit of its inhabitants as visionary public projects such as the Southbank Centre, the Festival Hall, National Theatre and the Barbican emerged. Social housing, from Ernö Goldfinger’s Trellick Tower in the west to his Balfron Tower in the east, with a landscape of fine quality council housing in the middle, facilitated a genuinely socially integrated city." - There are other factor that can be argued that construction do 'benefits' us especially the public projects that was being build which contribute a good cause to the peoples. 

"There can, of course, be no construction in the city without demolition. The sudden exposure of a site leaves the surrounding buildings looking vulnerable. It gives a glimpse of the parts of structures never meant to be seen from the street. It opens strange new views that can leave the onlooker surprised, even disoriented." - When there's construction it need to be 'demolition' which left the surrounding building looking 'vulnerable', and other factor can be argued that it'll leave waste and this causes environmental impacts. 

https://www.ft.com/content/282e51f0-0683-11e6-9b51-0fb5e65703ce

 

 

 

 

 

 

 

 

 

CONSTRUCTION & DEMOLITION WASTE

EDWARD BURTYNSKY

download.php?file=2775768&embedded=1&textbox=2775784

download.php?file=2775782&embedded=1&textbox=2775784

 

 

 

 

 

 

 

 

 

 

 

 

 

 

César Baldaccini, COMPRESSED COPPER (1961)

download.php?file=2770463&embedded=1&textbox=2770465

César Baldaccini, COMPRESSED CAN (1962)

download.php?file=2770458&embedded=1&textbox=2770460

download.php?file=2770459&embedded=1&textbox=2770460

HATJE CANTZ (Reading the City), Street Level

download.php?file=2770492&embedded=1&textbox=2770503

HATJE CANTZ (Reading the City), Locked Mobility

download.php?file=2770506&embedded=1&textbox=2770512

download.php?file=2770510&embedded=1&textbox=2770512

HATJE CANTZ (Reading the City), Street Level 3

download.php?file=2770531&embedded=1&textbox=2770532

DIRK SKREBER, Untitled (Crash 1) 2009

download.php?file=2775295&embedded=1&textbox=2773970

 

BEN QUILTY - Crash Painting, oil on linen, (2009)

download.php?file=2775430&embedded=1&textbox=2775432

This imagery was to reflect my colour scheme, as I am currently looking at what colour scheme I should use throughout this project. 

 

 

Tadashi Kawamata, COLLECTIVE FOLIE

download.php?file=2770559&embedded=1&textbox=2770563

Tadashi Kawamata, Apartment project "Tetra House N-3 W-26" (1983)

download.php?file=2776274&embedded=1&textbox=2776275

DANIEL FIRMAN, The Hidden Land (2009)

download.php?file=2773968&embedded=1&textbox=2773969

The Hidden Land is an invitation to reflect on these theories of multiple worlds and the unidentified zones situated between fiction and reality. Transcending universal understanding, these remarkable theories symbolise acts of intellectual humility as the world is indubitably more vaste and complexe, more unpredictable and colourful, than what our comprehension, here and now, would want to let us know. Each work emphasises the idea that movement is an intrinsic and permanent flux existing in all things, as well as being the sign and measure of space and time.

 

JOHN CHAMBERLAIN,Superjuke (2011)

download.php?file=2775833&embedded=1&textbox=2775837

 

ISIDROO BLASCO

download.php?file=2775844&embedded=1&textbox=2775864

download.php?file=2775859&embedded=1&textbox=2775864

Nils Völker

download.php?file=2814928&embedded=1&textbox=2814929

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DEMOLITION SITE 2 // Aftermath, JOEL MEYEROWITZ

IMG_5224.JPG

DEMOLITION SITE 4 // Aftermath, JOEL MEYEROWITZ

IMG_5227.JPG

DEMOLITION SITE 6 // Aftermath, JOEL MEYEROWITZ

IMG_5230.JPG

DEMOLITION SITE 8 // Aftermath, JOEL MEYEROWITZ

IMG_5216.JPG

DEMOLITION SITE 10 // Aftermath, JOEL MEYEROWITZ

IMG_5222.JPG

Details of QUOI ALEXANDER collection

6d77341b56115adc155cd290570e3653.jpg

 

 

 

 

 

 

 

I am now looking at the interpretation of 'compression', therefore, I did a primary research of step on a Coke can hardly so it is compressed. I want to take inspiration from the texture and the lines of compressed can. 

 

 

 

 

GARMENT RESEARCH

2590bfa9067c1c1eed6bd50b3f67b459.jpg

GARMENT RESEARCH

IMG_5218.JPG

GARMENT RESEARCH // DUNAGREES

1fb3969e58e0689ecd2455d3b8edd409.jpg

TEXTILES SAMPLE

IMG_6154.JPG

 

This is the textiles sample I will be using for my final outcome. It will be attached to the garment as an embellishment.  

Comments

DesaembobLA
30 July 2017, 8:22

Ценная информация
2gj.ru

SteveruritFE
16 September 2017, 13:26

Find out what you need to improve in yourself to become more effective!

Greg
10 August 2018, 17:44

Hello. And Bye.

Bill
10 August 2018, 18:19

Hello. And Bye.

Hermes
31 August 2018, 2:17

Hello. And Bye.

Elena
03 September 2018, 23:42

Hello. And Bye.

Victor
06 September 2018, 23:37

Hello. And Bye.
7 comments

Add comment

Fields marked by '*' are required.
Comments are moderated. If you choose to make this comment public, it will not be visible to others until it is approved by the owner.
Help for "License"
The license for this content.

Help for "Licensor"
The original licensor for this content.
Help for "Original URL"
The original URL for this content.

Reply to:

Public
Private: This reply will only be visible to you and the author of the preceeding comment.