YOUR DATA, YOUR SURROUNDINGS

STRUCTURE-OBSERVATION-ARCHITECTURE-TEXTILE-FASHION-DEVELOPMENT-YAMAMOTO-BALENCIAGA-SILHOUETTE-SHAPES

structure from 2D to 3D

big scale structure related to body , defining shape

BALENCIAGA , Ref: balenciaga.com

YOHJI YAMAMOTO

 AT STUDIO WHILE LONDON DESIGN FESTIVAL 2016

 

Personal ref:MOMA, NYC

Alexander McQueen F/W 1997-1998 "It's A Jungle Out There"

-wildness

McQUEEN/ Ref: hungertv.com

textile development

PROJECT OUTCOME

MUSE / yohji yamamoto/ Ref; fashionencyclopedia.com

YOJHI YAMAMOTO

-AVANT GARDE tailoring
-featuring japanese design aesthetics
-drapery in various textures, sophisticated folding techniques
"'I think that my men's clothes look as good on women as my women's clothing […] When I started designing, I wanted to make men's clothes for women.'' 
Ref: wikipedia

MILLENNIUM BRIDGE, NORMAN FOSTER

contruction 

Ref: aehistory.com

Research at the Central London

BALENCIAGA RESORT 2016, Ref: arabia.style.com

Ref: phaidon.com

structure 2 PROCESS

Research inCentral London / serpentine gallery

YOHJI YAMAMOTO, Ref: phaidon.com

YOHJI YAMAMOTO

Ref: wallpaper.com

wooden dress

- untraditional materials such as wood can replace fabric or become constructional base for garment

Ref: elettrosistemi.net

Franz Kline

- Abstract Expressionist

- very dynamic , looking very spontaneous 

- reminding me of Chinese calligraphy , and construction

Kline's brushstrokes became completely non-representative, fluid, and dynamic. It was also at this time that Kline began only painting in black and white. He explains how his monochrome palette is meant to depict negative and positive space by saying, "I paint the white as well as the black, and the white is just as important."

- his style is difficult for critics to interpret in relation to his contemporaries.

- Kline's works were only meant to look like they were done in a moment of inspiration; however, each painting was extensively explored before his housepainter's brush touched the canvas.

ref: wikipedia

INSPIRED BY SILHOUETTE of my observational drawing