The army outfits of German soldiers in world war two. Masculine vs. The dress of the woman in combination with the army jackets...feminine in one garment
Recent photography project: Photographing LGBTI - people in Russia. Being suppressed by the own country because of being different
Diane Arbus Child with toy hand grenade. Showing the inner tension of the boy that does not fit in
Wolfgang Tillmans Man in skirt
Jamie is Scottish, Welsh and French.
Jamie's dad is a documentary photographer mainly working in India.
Jamie likes travelling and has seen countries such as South Africa and China for instance.
Jamie researched homosexuality during the 1940s, gayculture as part of his identity.
Jamie loved wearing pink dresses as a child and had long hair.
Jamie did not fit in the surroundings he grew up in.
Sutherland Scottish fabric
Pina Bausch "Rite of spring. "The dance school I went to introduced me to contemporary dance. The honesty of taking emotions as guidance for movements impressed me from the beginning on.
Guys do ballett?
The strange boy dances ballet
Winter in Bullerbü
Winter in Bullerbü
The meadow harmony
Friends in the garden
Families group portray. Idealistic idyll
Kinder von Bullerbü
Urban Outfitters Under Fire For Tapestry Reminiscent Of Uniforms Worn By Gay Nazi Prisoners
Controversial: Uniform of homosexual prisoners in concentration camps comercialised and sold by Urban Outfitters.
Keith Haring - The pink triangle used in concentartion camps for labeling homosexual people mad into a piece of art
Diane Arbus not fitting in
In 1942 the heroic Battle of Britain pilot Flight Lieutenant Ian Gleed published a memoir called Arise to Conquer. It proved to be a remarkably honest account of his exploits, given the restrictions imposed on him by wartime censorship and propaganda. Twice he bailed out of blazing Spitfires. Twice King George VI congratulated him.
Gleed loved the RAF, and for his bravery he received the DSO and DFC, but he made the ultimate sacrifice in 1943 when his Spitfire was shot down over Tunisia. When Gleed’s ‘confirmed bachelor’ status caused concern for the publisher of his memoir, he agreed to create a fictional girlfriend called Pam. She was a surprise to his family and friends, but Gleed explained to them that she didn’t exist, and that he put her in because “readers like a touch of romance”.
What his family probably never knew was that Gleed was homosexual, and that he could not be open about his sexuality, and talk about his boyfriends. It was not until the 1990s, when one of his lovers, Christopher Gotch, was interviewed for BBC television, that the truth came out.
When Gotch was posted to Gleed’s RAF station, he found himself the object of Gleed’s affections: “He gave me a kiss which took me by surprise but, being a product of a public school, it wasn’t exactly strange. So we started having sex together.” Gotch explained that no one ever talked about same-sex relationships because they were against the law. In the armed services they were court-martial offences, and servicemen could be kicked out if discovered. It was widely believed that homosexuality would destroy morale which, Gotch said, “was a load of rubbish”.
Another wartime myth concerned the inability of homosexuals to show bravery under fire. Conscripted in 1941 at the age of 20, Dudley Cave joined the Royal Army Ordnance Corps. He later recalled a conversation he overheard between two of his comrades. One referred to him as a “nancy boy”, while the other protested that Dudley couldn’t be because he was “terribly brave in action”. Dudley understood that in their minds he could not be brave and homosexual, that the two were incompatible.
Bravery was not the preserve of fighting men because others in the services had to keep a stiff upper lip when they were confronted by the horrors of war. Alec Purdie discovered this after he joined the army. When Alec received his call-up papers, his gay friends told him he didn’t have to join up. “Tell ‘em you’re queer!” they said, but Alec didn’t want to avoid conscription: “I was determined to do my duty.” Little did he know he was going to spend half his army career in a dress and high-heels!
Wearing ‘lashes and slap’, he joined a troupe of army entertainers that brought a smile to troops serving in remote parts of India, “because it was too dangerous for civilians and women”. Alec also went to many field hospitals, where he entertained “these lovely boys who had had terrible things done to them and were trying to clap and laugh at me. It was too awful.”
Prisoners of war
The unpublished memoir of JH Witte (a heterosexual) offers some revealing insights into homosexuality in a prisoner of war camp in Italy. Witte describes the love affairs of the “boy friends” and their “girl friends” (female impersonators who entertained in shows in the PoW camp’s theatre).
He also mentions a corporal in the Military Police who was “violently” in love with one of the “actresses”. When they went missing during roll call, the Italian guards who found them snuggled under a blanket put them together into solitary for a week. Witte testifies that homosexual liaisons existed between all kinds of prisoners in the camp, and took many forms, from parcel sharing, holding hands and heavy petting to full-on sexual relationships.
After his rejection by the army on the grounds that he was “suffering from sexual perversion”, Quentin Crisp enjoyed the war years, especially when America entered the conflict and began to flood Britain with handsome GIs. Crisp described this exciting arrival in his autobiography The Naked Civil Servant (1968): “Labelled ‘with love from Uncle Sam’ and packaged in uniforms so tight that in them their owners could fight for nothing but their honour, these ‘bundles for Britain’ leaned against the lamp-posts of Shaftesbury Avenue or lolled on the steps of thin-lipped statues of dead English statesmen.”
Parading the streets of London in the black out, and enjoying brief encounters with the Yanks, Crisp commented: “Never in the history of sex was so much offered to so many by so few.”
During the Second World War, the popular entertainer Noel Coward wanted to do his bit, and sought official war work, but Winston Churchill insisted that Coward could do more for the war effort by entertaining the troops: “Go and sing to them when the guns are firing – that’s your job!” Coward proved to be a popular figure with the troops, and in 1942 he made – and starred in – the patriotic film drama In Which We Serve, inspired by the exploits of his close friend Lord Louis Mountbatten.
Though it remained a criminal offence until the 1960s, for the most part homosexuality was unofficially tolerated in the armed services for the duration of the war. For some heterosexual servicemen, homosexual sex was considered preferable to going to brothels and catching a sexually transmitted disease.
Some gays could be open, and were protected by their comrades. Others were considered good for morale and became ‘mascots’. One British soldier repressed his homosexuality and left letters from a fictitious son lying about his barracks. Others, who were found out, were court-martialled, imprisoned and thrown out of the services.
At the end of the war, the British public wanted to get back to ‘normal’, so women were expected to return to the kitchen, black recruits were expected to return to west Africa and the West Indies, and gays found themselves subjected to the draconian law that would see them in prison, even if they had helped to win the war. In 1945 the Public Morality Council officer noted: “Police are again conducting a campaign against those engaged in this deplorable offence.”
Shortly before he died in 1999, Dudley Cave reflected: “They used us when it suited them, and then victimised us when the country was no longer in danger. I am glad I served but I am angry that military homophobia was allowed to wreck so many lives for over 50 years after we gave our all for a freedom that gay people were denied.”
In Love, Sex and War – Changing Values 1939–45, published in 1985, John Costello says that the military experience of gays and lesbians in the Second World War “chipped away some of the old taboos”. He added that servicemen living in close proximity were made aware that men who chose to have sexual relationships with other men were not suffering from sexual perversion, nor were they cowards.
Said Costello: “Many thousands of homosexuals discovered a new consciousness of their collective identity,” but it would take until 1967 for the law to change, when the Sexual Offences Act partially decriminalised homosexual acts between consenting male adults over the age of 21. This did not apply to the armed services, where the ban remained in place until the Labour government lifted it in January 2000.
To listen to our podcast in which Stephen Bourne explores the role of homosexuals in the armed services during the Second World War, click here.
This article featured in the February 2012 edition of BBC