Marriage à-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745 depicting a pointed skewering of upper class 18th century society. This moralistic warning shows the disastrous results of an ill-considered marriage for money and satirises patronage and aesthetics. This is regarded by many as his finest project, certainly the best example of his serially-planned story cycles.The pictures are exhibited in the National Gallery, London.
This series of paintings was not received as well as his other moral tales, A Harlot's Progress(1732) and A Rake's Progress (1735), and when they were finally sold in 1751, it would be for a much lower sum than the artist had hoped for.
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