Rego is a prolific painter and printmaker, and in earlier years was also a producer of collage work. Her most well known depictions of folk tales and images of young girls, made largely since 1990, bring together the methods of painting and printmaking with an emphasis on strong and clearly drawn forms, in contrast to Rego's earlier more loose style paintings.
Rego's style, comprising strong clear drawing, with depictions of equally strong women in sometimes disturbing situations.
The antithesis of what is considered feminine behaviour, and many other works in which there appears to be either the threat of female violence or its actual manifestation, has associated Rego with feminism, and she has acknowledged reading Simone de Beauvoir's The Second Sex, a key feminist text, at a young age and this making a deep impression on her.
Rego's depiction of women as unfeminine, animalistic or brutal beings is that this reflects the physical reality of a woman as a human being in the physical world, and not idealised types in the minds of men.
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