''This dissertation will argue that even when an installation has  no visible body form, even when it is at its most materially slight and ephemeral, maybe especially them, it is always some aspect of a human body that is being represented. This representation starts in the manipulation pf a body of material by the artist's hand which reaches out, both consciously and unconsciously. in 'passage' towards the viewer. ''


Veronica has not chosen a license for this content.