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The work shows a consistent and strong use of line, sequence and tone. The smooth and gradual graduation of tone in combination with overlapping and overlaying creates the strongest visual illusion. Because the work features no high colour contrast (unlike many Op artworks), it metaphorically slows the viewer down and hypnotises the viewer into itself. 

I. as v viewer, find it a really immense experience, especially if the image was on a large surface, which would strengthen its impact. I really want to explore similar techniques to reinterpret these in a textile print and later incorporate in a garment. 

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