The film and each of its vignettes revolve closely around the theme of death. It was Kitano's intent to show death as neither good nor bad but a relative event. In an interview, Kitano stated, "The reason why modern Japanese and Westerners loathe the notion of death so much is beyond me. There really is no reason to loathe death," adding, "How you perceive this film can considerably differ depending on the position where you stand."
-contents from National Theatre of Scotland. Retrieved 13 November 2015.
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