10th November 2015, Fine Art Sculpture, 'The Exploded Field'. Rebecca Warren.

"This experimental, slapstick collision of Giacometti and Disney, literally cast or pressed into one physical body, leaves neither unharmed. In fact Warren's sculpture could be read as a response to culturally entrenched gender tropes - the slender modernist outline on one hand, and the Disneyish codification of cuteness and effervescence on the other hand - colliding in the real world, in real people's lives. Think of the late Amy Winehouse: big breast implants and anorexia. Warren does not merely make illustrative comments by pitting two things against each other, however. There is more at play. Sticking two things together that "don't fit" is just one possible method. Another is to duplicate (while twisting the logic of duplication); another, to alter proportion (elongate, squeeze etc.). And yet another is to use materials and conventions in unconventional ways. Think of Winehouse again: the postmodern mixture of visual styles and the clear modernism of Soul music."
Jörg Heiser, Bronze Heads and Hair Bows in Rebecca Warren, Galerie Max Hetzler, Holzwarth Publications, 2012

I am fascinated by the way that Warren takes a traditional process, and a traditional subject and subverts/transforms them both. She presents both elements in an unconventional way,  and challenges what is considered beautiful. Warren’s sculptures range from figuration to abstraction and from amorphous to more clearly recognisable forms, which are sometimes sexual in nature and reference the body in challenging ways.

© Harriet Grace Abbott, all rights reserved