Urs Fischer, Dr. Nope, 2010
Born in 1973 in Zurich, Fischer’s large-scale installations and sculptures posit genres traditionally evoked in painting- such as portraits, landscapes, nudes, and still life’s- in a profusion of rich and often impermanent sculptural materials. Whether utilising foodstuffs (Bread House, 2004) or more self-destructive mediums, such as soft wax that simply melts away, Fischer mines the endless possibilities of a particular material to introduce an additional dimension into the work: that of time. Imbued with their own morality, his sculptures and installations cultivate the experiential function of art. Fischer incorporates elements of performance and Pop art to create an oeuvre that is distinctly current, and as witty as it is macabre. (Gagosian).
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