Long made his international reputation during the 1970s with sculptures made as the result of epic walks, sometimes lasting many days, to remote parts of the world. Guided by a great respect for nature and by the formal structure of basic shapes, especially circles, he never allowed facile exotic connotations to intrude into his work, although some of his sculptures evoked the mysterious connotations of ancient stone circles and other such monuments. Different modes of presentation, sometimes combined, were used to bring his experience of nature back into the museum or gallery.
"Nature has always been recorded by artists, from prehistoric cave paintings to twentieth-century landscape photography. I too wanted to make nature the subject of my work, but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking … My first work made by walking, in 1967, was a straight line in a grass field, which was also my own path, going ‘nowhere’. In the subsequent early map works, recording very simple but precise walks on Exmoor and Dartmoor, my intention was to make a new art which was also a new way of walking: walking as art". Richard Long
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